Upcoming UK RnBass artist/producer Angel linked up with legend and mentor Swizz Beatz following the release of his new single, “Rude Boy”featuring Haile. The two met in the studio, where Angel shared his recent success with the new single and his new deal with Motown Records, and guest appearances from Chris Brown, Ebro Darden and more.
“It’s an honour to sign to a label with such an amazing legacy and to have the platform to really show what I can do in the US. It’s a blessing to have someone like Swizz on board, someone who understands exactly where I’m coming from, which will give me the opportunity to show my culture in the most authentic way.”
Every now and then, a singer comes along that has raw, natural talent, and ever since his “SoMo Sundays” cover sessions on YouTube , SoMo has taken over the game.
The Texas native has emerged as a trendsetter with his own unique style and sound, which has allowed him to connect with his fans nation wide.
I had the chance to speak with the R&B crooner about his success, influences, his new music, working with Trey Songz, and his upcoming Spring Tour, plus much more.
I started making music because I loved it, and I kept going because y’all believed in me.
So you started doing covers on YouTube, which then resulted in recording your own music. Tell me what got you into doing covers?
My dad was a musician, so I grew up around it. However, the covers started as a hobby, which blossomed into something amazing. From there on, I took the initiative of writing some original songs and people ended up liking that even more.
How would you define your sound?
Definitely R&B-Pop, I love singing R&B, but I think my voice is also capable of lending some powerful pop songs as well. I like to put myself in that range, and I also like to do the urban tracks. Who knows, maybe in the future I’ll be singing some Country …(Giggles)
What artists inspired you or have been your biggest influences to your career?
I really loved listening to Musiq Soulchild when I was younger, I think he helped me grow out my voice because I would always sing along to his music. Also a lot of the 90s artists really mold me into what I am today from Ginuwine to Boyz II Men.
Going based off that question, if you could stick with one genre, which would it be?
Oh, you’re definitely putting me in the lane (laughs) Definitely R&B, it’s taken a big comeback within the last few years, and I’m so hyped to be apart of it!
Since your break-through hit “Ride” what key lessons have you learned from then to where you are now in your career?
It would have to be maintaining who you are, and not letting others pursue you into being something you’re not. I’ve learned that from being myself, signing to a big record label and them allowing to me to be creative with my music. That’s definitely the biggest lesson.
Last year, you got to work with Trey Songz for “Hide & Freak,” how did that collaboration come about?
We did a show together in Phoenix, Arizona and he’s such a cool dude. So when I wrote “Hide & Freak,” I instantly thought of Trey and when I told him about the idea, he loved it. Within days, he send me his verse, and we made it happen.
You’re amazing at what you do, and when it comes to performing live as well. What would you say is the most memorable moment you’ve had with your fans?
Man, I have so many memorable moments! But if I could choose one, it would be during a show where a mom brought her daughter who was in a wheelchair and when I saw them, I jumped down from the stage and took a picture with them. The look on the mom’s face was just pure happiness, and for me, those moments are way bigger than music itself. It’s incredible that I get to do this for a living!
In all honest, my fans are amazing! They always come out and show so much support, and the most important thing about music I think is making fun, creative music that connects with them.
So you’re about to go on your Spring Tour for the next two months, tell me a little bit more about that?
Yea, in the Fall I tend to hit the bigger market cities, and in the Spring, I hit the smaller cities that might of not made out to the big cities. So it’s definitely a continuation of the Fall Tour, and I’m really excited for it. The venues are smaller, so it makes the best intimated performances for fans to enjoy.
Last but not least, what’s next for SoMo? Any new music in the making?
(Giggles) There’s definitely new music on the way! I’ve been working on my next album, and I’m going it’s going to be me putting forth my best effort with every single song. I’ve also been working in the studio with some great legends; Tricky Stewart, The-Dream, and some other co-writers. It’s been an incredible experience to be working with them, and I’m excited for it. So stay tuned!
To stay connect with SoMo on the latest with his music and upcoming tour, check out his website: www.officialsomo.com
RnBass had the pleasure of talking to artist Jonn Hart. Since the world was introduced to Hart with his hit single “Who Booty” in 2012, the Bay Area artist has emerged as a trendsetter with his own unique style and sound ready to continue taking over the game.
The singer and writer opened about his career, music struggles, growth as an artist and his anticipation to put out quality music for fans to enjoy. In addition to opening up in this interview, Jonn also gave us a new song to premiere today. See the Jonn Hart x Clayton William collaboration on “Next To Me” below!
When did you know that you wanted to become an artist?
I grew up with my mom singing in the church choir. So I’ve been around music ever since I can remember. My step dad is a gospel musician and has his own studio. I started just experimenting. My step dad would play the piano and my brother and I would add drums to make a beat, that’s how I began to record my own music.The feeling of writing my own songs and displaying my artistry was a crazy feeling. The first time I went in the booth to record, I told myself this is it and I’ve been pursuing music ever since.
Now that you’re a singer and songwriter, where do you get your inspirations for your songs?
I’m a really “viby” person. My inspiration for songs come in many different ways. Sometimes I’ll be in the car and a melody comes to me and I’ll build a song off of that. Sometimes I’ll hear a beat and a concept will come to my head. In my records, I don’t really talk about anything I haven’t experienced or done. Even the stories that I tell, I’ve been around that or witness them.I love creating.
You used to be in a boy band “The Outfit,” what made you leave the group and start your solo career?
It’s something that just kind of happened. We had a good time performing, building and growing our network but there came a time where our four personalities and differences weren’t functioning as a group anymore. Everybody decided to go their separate ways, so that’s when I went solo and dropped my first solo song “Who Booty” and it worked.
How was the change from being in a group to doing your solo hustle?
It was hard, very hard! I came from doing everything in a group environment. I wrote songs with the group. I performed with the group. My hustle and grind was with the group. So when I went solo, it was a big difference. I had to adjust as an artist, and get comfortable by myself. But I eventually loved the feeling and its freedom.
Back in 2012, you had one of the most played songs in the nation with “Who Booty” from peaking at #1 on the Rhythm Radio Music Charts, to debuting on the Billboards Top 40 pop charts, how was that experience for you?
It was life-changing and I am definitely blessed that it happened. It introduced me to the music industry and opened up many doors for me. I got to tour the U.S. and other parts of the world with the single and although, I haven’t had anything as big as “Who Booty,” I learned a lot. It opened my eyes to the industry and I’m still blessed to be doing shows and music today.
What would you say were some of the things that went on behind the scenes that some of the consumers often don’t know about?
Reality. I think when people see that you have a big hit, they automatically look at you a certain way. But If you don’t continue to work and if you don’t have the right business decisions and music behind you to keep you going, then it’s going to be tough.
You also worked closely with L.A. Reid, how was it working with him?
It was dope! I got to meet L.A. Reid a couple of times. I got to perform several songs for him, A&R’s and executives at Epic. Those experiences of being able to interact with people like L.A Reid are humbling.
Between the hype of having such a big hit to going independent, what would you say has been some of your struggles?
I think the main thing is that I’ve had to learn patience. Major labels could be great but being independent could be great as well. When I was on a major, we had the second single picked to follow up “Who Booty,” and I knew it was the wrong choice but it was nothing I could do to switch it. Shortly after that, the A&R’s that had signed me left the company and everything just got cold. So from that experience and picking up the pieces myself, I learned to not give up.
It’s clear to say that you’ve been doing this for a while, but is there still an artist in particular whom you want to work with, if so who would it be?
Yea, I would love to work with Drake and Chris Brown. Those are two artists I respect for their work, craft and artistry.
At the end of the day, there’s so many artists currently going through a similar story like yours. If you could give a piece of advice, what would it be?
I think whatever you’re going through, whether they’re ups and downs just keep going and never stop. I’ve always told people, ‘music is something that you really have to love’. It starts with you, but you also need a tight and small team that believes and has the same vision as you. There’s been days where I feel like I’m on the moon and then there’s other days where I feel like I’m the lowest, but at the end of the day, this is something I love and nothing compares to it. Also, don’t take ‘No’ for an answer, you’re going to get a hundred no’s but when that ‘Yes’ comes, it’ll change your life. I’ve experience that.
Singer, songwriter, actress and mother Tiffany Evans releases her 7-track EP “All Me” through her own label, Live Love Entertainment.
Tiffany opens up on an exclusive RnBass interview about the work behind the project and how this is really not a comeback for the rising artist.
What’s your favorite song on the project?
I love all the records but I would have to say “100 Percent” because it’s dedicated to my girls, number one, and it’s just really different. It’s a ballad but the tempo change is different and the vocals are very melodic and I love that.
What was the vibe you were going for?
I wasn’t really aiming for a particular vibe, I just wanted everything to feel really good. When you listen to the project, you wanna just groove to it, dance to it and just wind down to it, so you can really fit it with any situation.
I’ve come to find that artists don’t really like the word “comeback” attached to their names and I’ve been seeing that on the latest headlines about you. Is this a comeback for you?
I’ve been working this whole time. I went into a moment of silence to just live life, to grow, to write music and to develop what I wanted to be as an artist. I wanted to make sure the next time I showcased any music, that it was all of me. I agree with you and I wouldn’t call this a comeback because during that time I stayed in touch with my fans and connected with them. They’re there and they’re interested and now it’s finally the time to throw it all out there.
I saw you were called one of the most “versatile millennial in the industry today,” how will you continue that creativity?
I will say I’m a mother, an entertainer and an entrepreneur so to be all those things you have to be pretty creative (laughs). I just try to take inspiration from all the different things I go through in my life and make sure that I’m open to things. You gotta keep learning and if you stop, you become stagnate. Therefore, I make sure that I take something from every situation and everyone, whether it’s good or bad.
I heard you recorded your entire EP while pregnant! How was that experience?
It was very empowering. My husband was on the road, so it was just me and my first daughter. I felt strong. Everyday, I got ready and headed to the studio. I really took that time for myself and my daughter loved that whole process. She loved for me to go in the booth and sing. I think she might do it herself someday, but it was fun and challenging. I was determined to get through it.
Can you name a female artist currently in the industry who inspires you?
Yes, Beyonce and I think everybody loves Beyonce. She’s just embodied hard work and her work ethic is unmatched for a female right now. I just hope to be as great as her one day.
What is the ultimate goal for you?
To make sure that I continue to do the music that I want to do and that my fans understand the journey that I’m going through in my life, and they have. I can’t wait to start touring. That’s my main goal for this year and we’re gonna make that happen very soon.
Tiffany shares that she’ll be shooting visuals for every song off the EP, look out!
Check out her latest single “On Sight,” featuring Fetty Wap right here.
Get to know emerging singer/producer/songwriter Kyle Christopher from Los Angeles, CA as he shares his story in the music business along with his forthcoming projects, exclusively with RnBass.
Kyle has written and worked with the likes of Zendaya, Chris Brown, Kid Ink and Little Mix, to name a few. His most recent work includes Zendaya’s “Something New” featuring Chris Brown as well as the soundtrack for the upcoming movie, “Popstar,” which will be in theaters June 3rd.
Today, Kyle is signed to Warner Chappell as a songwriter/producer and is ready to kick off his own music.
Get your first-insight on Kyle as he teases his upcoming EP and its new sound.
When you began song-writing, did you lay off from doing your own music?
Yeah, I laid of the artists stuff. I was just producing and songwriting but I always wanted to break into the industry a different way. Eventually I got my first publishing situation. I co-wrote a song called “Wings” for a group called Lille Mix. It went 3x Platinum and that was my first placement.
Was getting back to your own music always in the back of your mind?
It was always in the back of my mind because I was writing all these songs and as a songwriter, you write about things that you’ve actually been through and experienced.
When did you decide to get back to it?
When a lot of A&R’s I was submitting music too would ask, “Are you getting back to music? I see you used to do it. You’re dope.” I thought “Yeah, I’ll eventually get to it,” but I finally got to a stage where I solidified myself. Plus, I wanted to find my own sound and not what I was writing for other people.
Is this a new you or a continuation of the artistry you were doing with the label?
This is a totally new person and new sound. When I was with the label it was R&B/urban now it’s more urban/alternative. Right now, I’m just trying to make music that impacts culturally. I’m trying not to make my song so A-B-C format. I want my music to be more of a feel.
What do you mean by a new sound?
The stuff that is out right now is very urban and guitar-driven. I wanted my crowd to get used to it and not hit them full-force. My stuff is really influenced by people like Cudi and Lenny Kravitz. You know, that really melodic stuff. I’m trying to merge those sounds together.
I see you representing 7World Entertainment, can you tell me a little about that?
7World is the company that my writing partner, Ramir, and I created to house the producers and artist we have signed to us. This allows me to keep all the production in-house and have a hand in my entire creative process for both my music as well as songs we place through Warner. Reggie Couz, the first artist under 7World, is a Vine star with a music background. We just released his latest single and are working on putting out a project through 7World this year.
What’s next for you?
We’re working on the EP. I don’t have a title yet. I let that come to me after it’s all done but that should be done very soon. Until then, I’m going to put out a record out this month and some visuals.
Enjoy Kyle’s latest single “Make Em Like You” right here.
Influential R&B singer and songwriter Mýa has dropped her latest project “Smoove Jones,” givingher fans something a little sensual to vibe to. The project allows you to sit back and enjoy Mýa’s own radio show as she plays the host and DJ of her very own songs.
Check out the exclusive RnBass interview with the notable“Case Of The Ex” singer as she speaks on her latest project, insight of sex and how she feels about the evolution of R&B.
“Smoove Jones” is very sexy and bold. Where did the inspiration come from?
The inspiration behind Smoove Jones is my fans, those who have grown with me in the last 15 years. We are now adults, married, with children and the requests coming through social media directly to be have been, “Give us some R&B,” so this is for them. I dug into my archives and I assembled the more mature content that has influences from soul, R&B and classic hip hop and I sprinkled some contemporary aspects such as “Team You” and “Spoil Me” for my fans that want to embrace their sexuality.
Aside from sexy, I’d also describe your album as confident. What advice would you tell those women who may be having a hard time embracing their confidence and sexuality in a relationship?
Well I think your relationship with yourself comes first regarding your confidence and knowing who you are as a person internally, spiritually and mentally and then the physicality comes. Sexuality is not a physical thing. It’s directly connected to all aspects and dimensions of you and it’s a beautiful and natural thing. We must define it for ourselves in a healthy manner before we bring another person to that special realm.
Did you ever feel it was a risk to put out such a strong influenced old-school R&B album?
Well, it’s a different day for Mya. Because I’m independent, I have so much freedom and I don’t think from a place of pressure. I really create and play with genres and sounds from just feeling good. There’s no pressure for me to reach numbers and charts because Im really just sharing what I love to do in the studio. I have a playground to openly play free now.
How do you feel about the evolution of R&B today?
I know so many underground artists in different genres that are talented. R&B is not dead but it has its variety. Legacy, Erika Badu who just killed her mixtape, to today’s mainstream artists like Drake… I love all of it but I do have a void for the 90’s love songs and the content of being able to wear your heart on the sleeve as a female and male. Maybe a little balance is what I do feel is missing on the mainstream side and it’s there like Joe, Tyrese, BJ The Chicago Kid and so many other great artists but we just gotta look for it.
What’s been your biggest takeaway from the business?
I learned that you can’t wait. Do not wait on it. (laughs) I’ve sat and waited, on a professional level, and I lost time when I could’ve been active, When you want something done, you gotta go outside of the box and make if happen for yourself. Be productive, you gotta eat and feed everyone else. You have to be a hunter. Balance is also key. You need time and space to function as a human being so there are moments you need to take for yourself to clear your mind. To deliver product, you do have to be in the right space that the art can hopefully speak for itself.
Will we be seeing any visuals for “Smoove Jones”?
Possibly. I’m already on to the next project (laughs). That was an appetizer and a little treat so I’m letting my fans live with it a little bit so they can tell me exactly what they want.
Smoove Jones Full Track List
“Smoove Jones Radio (Intro)”
“Welcome to My World”
“Hold On” (featuring Phil Adé)
“Elevator” (featuring Smoove Jones)
“Phya”
“Spoil Me”
“Team You”
“Coolin'”
“One Man Woman (Ol’ Skoo’ Joint)”
“Circle of Life (Ol’ Skoo’ Joint)”
“Smoove Jones Afta Glow Show (Outro)”
Check out the full studio album, “Smoove Jones” exclusively available on AppleMusic & iTunes right here!
Name:Nash B Age:22 Hometown: Georgia Currently located in: ATL Titles: Producer/Songwriting Worked with: KCamp, K-Major, Jacquees, The Dream, Birdman and Tricky Stewart
How did it kick-off for you? It all started with K Camp. When I was in college, we built a great relationship. He hadn’t blown up yet, but was on a mission to get it and I liked that about him. He started rocking with my beats and the rest is history. I always look to build organic relationships with any and all artists I work with. That’s how me and Jacquees got so tight, we came up together.
What’s been the most impactful project you’ve worked on? 19 with Jacquees for sure, because we started living our dreams together – taking flights and seeing stuff that we hadn’t really seen before. That’s definitely been the most impactful.
What have you soaked up from working with these artists? Dream gave me some great advice. He told me one time, “You gotta be more visual with your music,” and I didn’t understand what that meant at the time but now I do. He gave me a lot of pointers on how to make dope music. Tricky taught me how to do that too. Birdman… he’s just unc. (laughs) That really is unc.
I read your interview with Vita1017 where you talked about your passion in wanting to expose upcoming artists. How do you plan on doing that? I just gotta keep finding dope talent. There’s a lot of good people out here, you just gotta mold em and give them a style, which is what I do best.
“What I love about Nash is his ability to go into a session and create on the spot. He’s able to fully produce a record, which is rare in today’s industry. He’s definitely the complete package.” -Leon Booker (Nash’s Manager)
What’s your personal goal? A Grammy. I currently have a Grammy trophy as my phone’s wallpaper. I wake up to that every morning. I also want to be bigger than music and help the kids. I have a little brother so you know, I look to guide him the right way, but overall I plan to be heavily involved with the youth.
Congrats on your 1 mil plays! What’s coming up for you? Yeah, man. Thanks! What we’re gonna do with Jacquees and his upcoming album this year, that’s gonna be the impact that I’ve been waiting for in my career. I gotta record with Future too, I’m just not sure when he’s gonna put that out. I have a rap artist that I’ve been working with lately too. He’s bringing back real southern hiphop, think early T.I. Finally, I’m working with a new artist name Ayanna Golde, she can really sing so definitely look out for that project, it’s gonna be dope.
16-time Grammy nominated R&B legend and one of the biggest voice for love songs in the 90’s, Brian McKnight, has now dropped his latest project for 2016 known as “Better.” His last project was released in 2013 and according to McKnight, this one comes from a much different place of inspiration. The recording artist also shares his thoughts on today’s music and the industry on this exclusive RnBass interview with Dayana Jiselle.
How do you feel about the evolution of R&B?
I think what we have to stop doing is assuming just because someone is black, that their music is R&B. I think that’s what’s been happening at least since 2000 and on when the Hip-hop and R&B charts merged. I truly believe that is was an effort to be exclusionary. Honestly, the only people making R&B music today are white artists. People like Nick Jonas, that’s the most R&B music that I’ve heard in a while, and Justin Bieber’s record because it’s the way you sing. There’s been a departure where everybody used to have the opportunity to be on every chart and we don’t get that anymore. We ruled the 90s on every chart as black artists and now labels assume that you’re not going to get a shot on pop radio. That’s the same problem we have with my records because the perception is that it’s too difficult to get a black artist on AC radio but that’s not true because people like John Legend are doing it. It’s funny to me how nobody actually says it.
Why do you think that is?
As long as labels are owned by people that they’re owned by, as long as radio is run by people that they’re run by, they’ll do whatever they have to do to keep these folks here and these other folks down here, at least that’s the way it seems to me. Look at what’s happened to hip-hop, white people think that’s R&B and it has nothing to do with that. Artists like a Chris Brown, a Trey Songz and even myself, we have to try and fit in where we can fit in. Look at the things that radio and the media actually go crazy for, all Kanye has to do is go rant and it becomes the biggest thing but when’s the last time you’ve seen them do that to a great song sung by a black artist?
With today’s technology and platforms such as SoundCloud and YouTube, do you think it’s harder or easier to gain success as an upcoming artist?
I think it’s the most horrible thing that’s ever happened because it’s so difficult to get through all the traffic of what’s out there and now we have a generation of people who feel that they don’t even have to pay for music anymore because they can get it for free. How are you supposed to make a living? And this isn’t about me, this is about that 19-year-old kid who has talent and wants to be in this business but can’t make a living because he has to give out his music for free.
With both of your sons now doing music, what kind of advice do you give them toward their careers?
If you have great songs, great performances and great production, you should be able to make it in this business. For really talented people like my children, they have to be better and do it at a level that’s higher than everyone else because technology today has allowed anyone to make music. You can go out and get Pro Tools or Logic and be making music tonight and I don’t know if that’s a good thing. The level of musicality and the level of artistry is so low.
I watched one of your latest interviews where you talked about the inspiration behind “Better,” which was your girlfriend and the first time you’ve been in real love. How did this inspire the project?
As you listen to the lyrics in this album and you hear the way I’m performing these songs, you can tell that this is the real thing. This music is very different and very much more heartfelt than anything I’ve ever done. So that’s a completely different perspective than any other project that I’ve made.
Check out the album”Better” now available on iTunes right here, along with the visuals for the single.
20-year-old Johnny Maxwell from Hayward, California made his debut to the world in 2012 on the hit talent show, “The X Factor USA.” Today, he’s an emerging singer, dancer and writer who just released a self titled EP to his thousands of fans across the states. We bring you the all-exclusive interview where Johnny shares his career goals, appreciation for his fanbase and what he looks for in a lady.
What’s been the reaction to your EP?
It was actually bigger than I thought. A lot of people took a liking to it and it ended up getting a lot more love that I thought it was gonna get. I’ve noticed a tremendous growth in not only my fanbase, but my support base. A lot of people gave me the credit for dropping it and it’s been a good reaction so far.
Being that you’re young, what is it that you want to accomplish in the music industry?
I want to make a name for myself and be a positive influence among my peers, anyone in general who might need a helping hand or someone to look up too who’s doing something with their life. I hope people can see that as I grow as an artist.
What’s been the best part about the recognition you’ve gotten thus far?
The best part to me is seeing these fans. It’s like you interact with them on social media and you release music, but you don’t really have a complete understanding of what you’re actually doing until you have a show. You got all these people in the audience chanting your lyrics and screaming your name and that, to me, is the best feeling to just be able to take in.
I saw your X Factor audition video, did you expect that sort of reaction from the crowd?
I really didn’t know what to expect. I was probably the most nervous that I’ve ever been in my life and what most people don’t know is that, that was only like the second time I’d actually performed in front of anybody. It was life-changing, to be honest.
What about the ladies going crazy for you in the crowd?
(laughs) When I heard the girls screaming and saw them jumping up and down, I was blown away. I was just a normal teenager at that point and it felt good, it made me want to do more.
Talking about the ladies, what’s the type of girl that attracts you?
To be completely honest, it’s someone who I can tell is not trying to impress anybody and is being herself. That makes me wanna pursue her and find out more like, “Okay, well she gots this boss-like character, let me find out more. Let me see how she can benefit me and how I can benefit her.”
What type of music will you be diving to in the future?
Yeah, I do RnBass music but at the same time I do Pop music and other things that are so diverse that you normally wouldn’t expect. I don’t want to limit myself in what I’ll do so I can’t categorize myself in one genre.
So would you say you’re still finding your sound or do you want to be a diverse artist?
That’s a good question! (laughs) I want to be the bridge to RnBass and Pop. Who knows, I might bring something different. I’m hoping that could be a lane I create for myself.
What’s your favorite thing about your new single “Don’t Match“?
With that one it was really fun to write. I was in the studio with my team and we were just listening to the beat. What I love about music is you can make it about whatever you wanna make it about. With that song, I was like, “Man, I’m just tryna picture something smooth. Like I’m James Bond tryna pick up a girl,” (laughs) and that’s how I treated the song.
Which 3 words would you use to describe yourself?
You can call me a “people’s-person”. I think that’s an equal representation of how I am when I have shows and people can vouch for me. I’m there for the people. Don’t get me wrong, it’s cool making money but my main priority is spreading positivity and being there for the people.
One word works.
We bring you Maxwell’s latest single “Don’t Match,” off his self-titled EP right here!
Bryson Tiller is stopping at nothing to prove he has what it takes to be on top of the game.
The TRAPSOUL singer talked to HOT 97’s Ebro In The Morning to address a slew of topics from starting up his music career, to hearing from Timbaland, passing on OVO’s signing, and much more.
The “Don’t” vocalist mentions how he worked several jobs before starting his music career. He adds that he worked a part-time, full-time, and a side job to keep up with life.
Bryson also says how producer Timbaland changed his life because he was the first one to ever reach out to him.
Listen to Ebro In The Morning’s interview with Bryson Tiller below.
Reppin’ for Chicago, Illinois, the 21-year-old rapper and songwriter Dreezy leaned deeply on writing during her childhood to vent her thoughts. Her skills and go-getter mentality got her a deal with Interscope Records by age 20 and the title of the “Princess of Chicago Rap.”
The female rapper dropped her latest 5-track EP “From Now On” late 2015 and most recently, her single “Body” featuring Jeremih, who’s also from Chi Town. Dreezy is now in full momentum to make a name for herself in the rap game.
Will we see a music video for “Body”? Yeah, I’m working on the choreo for the video. We gon be shooting a video real soon. The song was a different vibe for me. My label brought the track to me and they wanted me to work on it and I thought it was real different but when I got in there and wrote everything, it all came together and I knew Jeremih would sound good on it. He went crazy.
Wha’s been the reaction with your EP “From Now On”? I’m getting a lot of love, especially from the radio stations and new fans. A lot of blogs show love too and I think that’s really helping out the movement.
Being so young in the game, what are some advantages and disadvantages? I think a lot of people didn’t take me serious but at the same time it’s an advantage because when they do find out… Like a lot of people think I don’t write my own lyrics, they feel I’m too young. It stopped me a lot of times when I couldn’t in the clubs and I was getting booked, but it worked out like I said because when they find out, they give me better respect for what I do. I like being young and doing it ’cause I got goals set for myself before I get to a certain age.
What do you wanna stand for during your rise to success? I’m really towards just giving females somebody that they can look up to in music and I want my message to go to males too but I’m just really standing up for females right now because we don’t have a lot of females in music. Boys have options and females don’t have too many. I wanna drop keys for the girls and just go crazy.
What’s the message you want to give through your music? Mostly what I’m going through right now, life lessons from a females point of view. I feel like I’m young and I’m doing a lot of stuff that people not doing at this age. I’m growing up and maturing at a fast rate and there’s people my age that need to hear this stuff. I moved to LA on my own, I’m chasing after my dream and I can’t let boys throw me off with my focus and I know there’s a lot people that wanna hear about that stuff. Whether you’re in school or working a 9 to 5, people got dreams and there’s music for everything but I don’ t think there’s a lot of music for that.
Being a female rapper, I feel like there’s stereotypes like “you’re hard” and “emotionally stern” Does that affect your relationships? (laughs) It definitely does because I’m so strong-mined. I blame it on my zodiac sign (Aries) but it might be mostly because I’ve been through a lot of stuff at an early age. Just watching my momma and people around me go through stuff in relationships, it kinda made me hard and cold-hearted. It do affect my relationships because I’m not in one right now and I’m looking to be in one. I got standards. I’m all about me right now so it might be a good thing.
You’ve been called the “Princess of Chicago Rap,” is there any pressure to that? Nah, cause I’m trying to be the Queen. It’s a compliment and I appreciate that but I still got a long way to go and I need the crown, for real.
Dreezy says she’s not holding back this year, fans can expect big records from the female rapper along with a possible album.
Check out the single “Body” featuring Jeremiah right here.
Zendaya stops by REAL923 in LA to talk with DJ Damage & Letty about what it’s like for her to be a role model, plus says how it was to work with Chris Brown and get TLC’s blessing on her new single!
There’s no doubting that Miguel has been working hard in the studio, but he’s always making sure to show love to those who support him.
The “Sure Thing” crooner stopped by Los Angeles radio station Power 106 to talk to The Cruz Show, where he dished upon his newly engagement, writing songs, and much more.
One of the first things the morning show targeted Miguel with was about his engagement with longtime girlfriend Nazanin Mandi and their plans of having babies.
Later on, the WILDHEART vocalist also mentioned how he’s had several major writing session with multiple artists from Tinashe, Big Sean, and even wrote Tory Lanez latest song “L.A. Confidential.”
Watch Miguel’s full interview with The Cruz Show in the video clip above.
Florida-native and producer Jahaan Sweet heard a distinct voice coming from a NY studio booth a couple years ago. At the time he was finishing up his Jazz studies at the prestigious music school, Juilliard. It was the voice of Oakland’s Kehlani and in a matter of time the two began working together on her 2014 mixtape “Cloud 9″, which eventually became her 2015 breakthrough mixtape, “You Should Be Here”.
“I walked in and heard this voice. I thought ‘Man, who is that person singing? She’s really, really good’. I just went in and played this beat I was working on at the time. It’s for the song we did called “Get Away” and from there we just started working.“
At 22-years old, Sweet has worked with artists such as Tiara Thomas and K. Michelle. He produced 6 out of the 15 tracks on YSBH. It has been nominated for a Grammy under Best Urban Contemporary Album,along with The Internet’s “Ego Death”, Lianne La Havas’ “Blood“, Miguel’s “Wildheart” and The Weeknd’s “Beauty Behind The Madness“.
Would you say “You Should Be Here” is your biggest project to date?
I feel “You Should Be Here” was my first time really being able to just do me, to just exercise my creativity and have a good say on it. Plus we both like the same kind of music and she’s a really good songwriter so it’s a good marriage of musical ideas.
The project is now Grammy nominated. Congrats. How’s that feel?
We found out on the European tour. We were in London. Someone called and told her and we freaked out. It was amazing and now just the idea of being nominated, we really wanna win.
Was a Grammy nomination ever in mind?
Nah. Not even. I was just happy we finished it and we got it out. To have all this great success off of it, it’s a blessing. For me, just being on stage and playing piano live…I’m just grateful and looking forward to what’s next.
What’s your favorite song on the mixtape?
The Way. I played the beat for her when she came to NY to do one more week of recording and she said “I’m not really feeling it”. On the final day of her trip, I played the beat for her again and she said “You never played this for me,” (laughs) and she wrote the song in like 20 minutes and we sent it off Chance.
Will you be involved with Keh’s upcoming projects?
Right now I’m dealing with her actual debut album and we’re coming close to finishing it. I’ve been putting a lot of focus into that.
What else is next for you?
I just want to keep working and become better at what I do.
Check out Sweet on the piano and Kehlani on the mic while on her 2015 European tour.
2015 was a successful year for singer-songwriter and producer August Rigo, and now that the New Year is here, he’s making sure to keep fans at the edge of their seat.
The Toronto native has worked with big names from Justin Bieber, Chris Brown, Sean Kingston, among others. In the midst of his career, the self-taught musician breaks down his life lessons and tips for anyone who’s trying to make it in the music industry.
Check out the all-exclusive interview with August Rigo and get the latest scoop on the talented man.
You’re born and raised in Toronto, Canada; how do you think that has played a role in your career?
Early on it was very difficult being from Canada because we didn’t have anybody from the international market that were really doing it. Now that we have Drake who champions the city, we’re getting a lot of light on talent. I definitely get the benefit of the doubt now because I’m from Toronto, and there’s a lot of attention.
You’re a singer-songwriter, and producer, how did you get your start in the industry?
“I always loved singing,” August remembers performing for his family and doing karaoke at every family party. From there he went to a performance arts high school, where he dipped his feet in opera, jazz, pop, you name it, August did it. Following high school, the singer-producer did gigs here and there, until he headed out to the Big Apple to pursue his dream. He adds, “I stayed there to meet people and hand out my records outside of record labels for weeks, months.”
Who would you say are some of the biggest influences to your career?
Creatively, I’m a big Michael Jackson fan! He’s the first person I saw perform in T.V., he was my initial influence for loving music. I also love the old music, and I’m also really influenced by the 90s RnB movement, which is always with me. What I would really love to be is to eventually morph into a Pharrell or a Timbaland, they see the music differently and people give them the benefit of the doubt.
Along your journey, I’m sure you’ve learned many things. What are some key lessons you’ve learned thus far?
There is a couple of different things, but the most important thing about this industry is to really stay true with yourself and who you are because it’s very easy to be susceptible influenced by “what’s cool” and “what’s poppin’” at the moment.” In this industry I find that aside from the talent and the connections, timing is key. There’s been times that I’ve had a song for a year or two, but I didn’t have the right place for it at that moment and then in comes that right moment for it.
If you could describe your work ethic in 3 words, what would they be and why?
Loyal, hard working, and inspired. Why, because I like to keep those who are true close to me and I’m very loyal as a person with my music, and as a writer.
You’ve written songs for several artists, but what would you say is your most proud project?
My favorite song that I’ve ever written for somebody is probably still “U Smile” from Justin Bieber’s My World 2.0 album. First off, doing those records for Justin Bieber was a life changing moment for me because he ended up taking 3 songs. I really think I was incredible lucky to be part of that album.
Going off the last question, you also wrote “Back To Sleep” which is from Chris Brown’s Royalty album. Where did you get the inspiration for any of your songs?
It comes from a lot of places. Some days I take my personal feelings whether good or bad and use that as inspiration. I read books watch movies listen and listen to other music as well to inspire me. Sometimes I just listen to the music being played in the studio and let it take me somewhere.
Now last but not least, with the New Year here, what are some upcoming goals or plans you have set for yourself this year?
Now that 2016 is here, August is ready to continue his streak of success, from being in the studio with his record label, SummerChild Records to working on new music with his first artist Ginette Claudette. The singer-songwriter says, “You can expect content that shows who I am as a musician and as a person. I hope also to be creating great songs that can stand the test of time.”
Stay in the loop with August Rigo on social media through Twitter, Instagram, SoundCloud and of course, check out his new single “Versions” in the video clip below.
Artist and songwriter Bryan Sledge or better-known as BJ The Chicago Kid, is ready to give the world an insight on his musical and lyrical talents. BJ was featured in SchoolBoy Q’s 2014 track “Studio” and has now been working on his own debut album “In My Mind” which should be dropping “extremely soon”.
BJ was born in Chicago, Illinois where his back-in-the-day braids and South Side Chicago swagger got him his artistic name. He comes from a background of Motown and street and as many Motown legends, he feels his music came from church while the inspiration came from the streets.
What do you consider yourself to be?
I’m a producer. I’m an artist, I’m a songwriter. I’m a vocalist. I’m a rapper, but most of all I’m a creator. Period. I do a lot but no matter what it is, that helps describe what I overall do. I create.
Describe your music?
I’d describe it as street-soul R&B. It’s world-soul music but in today’s day in age. I feel I am the Marvin Gaye from Soul Train. (laughs) I feel like that’s a part of who I am. We still speak the same language it’s just some of the words are newer. The slang may be different but it’s been evolved in time from the drums, to the chords to how things progress but the core hasn’t changed.
What’s the news with “In My Mind”?
I’m making sure everything set before we release the date, you know? We have a surprise for all the pre-sales.
What was your goal when creating this project?
My goal was to just reach as high as I can reach, as low as I can reach, to stretch as far as I can stretch. Being a songwriter and just a lover and advocate of music, my ears have been through so many sounds and I think that helped me understand myself even more. I just want to show the most that I can do.
How involved were you in this project?
I finished this album in 30 days. I slept in the studio 27, maybe 28 days out of those 30. I slept there, that means on the couch with a pillow and a blanket. I’m talking about literally waking up to brush my teeth and getting back to the music.
Your debut single “Church” actually does talk about your spiritual background. How has that had an impact in your music?
In the craziest of ways, what people experience in church…a taste of that could be given through my music. What they call in church “the anointing” you know, what makes people feel the Holy Spirit? I feel that transfers through my music in some way. I feel I can feel and hear it in my voice. Everything that I’ve lived and been through comes through the emotions, the pain, the joy, the celebration, the statement, the aggression. All the problems from home, not being able to see my family everyday, all of that comes through my voice. I feel I’ve gotten good at knowing how to transfer my energy.
What was your biggest takeaway from 2016?
Hard work. To understand that I worked my ass off and not knowing who’s watching…not really caring who’s watching, you know? No disrespect to who is, but my determination and my passion is just so great I feel I have to display it because you the only one who knows it until they hear your music.
So are you also on the whole “New me, new year” hype?
Let me tell you like this, if you’re trying to a better you everyday what is a new years resolution? I’m trying to be a better me. I’m trying to be brother, a son, a uncle. You know what I mean? I can’t forget about the balance in life. That’s what makes me a dope person, not making dope music.
Stay up-to-date with BJ’s music and upcoming debut album “In My Mind” at www.bjtck.com.
Check out the visual for his latest single “Church” featuring Chance the Rapper & Buddy right here.
With two number one albums under his belt, Bay Area Rapper G-Eazy is definitely one of music’s fastest rising stars. Recently he sat down with media correspondent and a good friend to RnBass Jen Deleon to share an important Life Lesson he learned while on a recent tour.
